Eitner, Supplément au catalog raisonné de l'œuvre de Géricault par C.
Eitner, Géricault's Raft of the Medusa, London, 1972, no. Eitner, 'Reversals of Direction in Géricault's Compositional Subjects', in Stil und Überlieferung in der Kunst des Abendlandes, Berlin, 1967, vol. Fischer, 'Géricault in French Private Collections', The Connoisseur, January 1965, p. Rey, 'Géricault ou l'archange aboli', Les Nouvelles littéraires, November 12, 1964, p. Étude biographique et critique avec le catalog raisonné de l'œuvre du maître, Paris, 18, drawings no. Clément, in Gazette des Beaux-Arts, 1867, drawings no. Blanc, Histoire des peintres français au XIXe siècle, Paris, 1845, vol. Paris, Didier Imbert Fine Art, '20 ans de Passion' Alain Delon, Dessins, Spring 1990, no. Los Angeles, County Museum of Art and other venues, Géricault, 1971-1972, no. Paris, Galerie Aubry, Géricault, 1964, no. On the back: Étude également pour la composition de la Méduse') (80 francs with lots 91 and 93). Hippolyte Walferdin (1795-1880), Paris, already in 1845 his sale, Paris, Hôtel Drouot, April 12-16, 1880 no. Pen and brown ink, brown wash, heightened with white (darkened paper) Pen in brown ink, brown wash, white highlights (insolate) Study of a reclining man, left arm raised (verso) Study for the Raft of the Medusa (recto) 56, ill.).įor further information on this lot please visit An overall study, in red chalk, is in the Royal Collection, England at Windsor (inv. The present work is a study for the figure of Christ in the Crucifixion altarpiece with Saints Elizabeth of Hungary and Frances of Rome, held in the Potocki Chapel of Wawel Cathedral in Krakow, Poland, 1630 (Turner, op. An overall study for the composition, this time in red chalk, is held in the Royal Collections of England at Windsor (inv. Study for the figure of Christ in the Crucifixion altarpiece with Saints Elizabeth of Hungary and Françoise Romaine, preserved in the Potocki Chapel of Wawel Cathedral in Krakow, Poland, made in 1630 (Turner, op. A Revised Expanded Catalogue raisonné, Rome, 2017, p.
Fort Worth, Kimbell Art Museum and other venues, 1991-1992, p. Turner, The Drawings of Guercino in the Collection of Her Majesty The Queen at Windsor Castle, Cambridge, 1989, p. Salerno, I dipinti del Guercino, Rome, 1988, p. Paris, Didier Imbert Fine Art, '20 ans de Passion' Alain Delon, Dessins, Printemps 1990, no. Lord Francis Egerton, 1st Earl of Ellesmere (1800-1857), without his mark, by descent, the Duke of Sutherland his sale, Sotheby's, London, July 11, 1972, no. Sir Thomas Lawrence (1768-1830), without his mark. GIOVANNI FRANCESCO BARBIERI, KNOWN AS LE GUERCHIN (1591-1666)
0 kommentar(er)
